Strictly speaking, I shouldn't add this book because I didn't finish it! My friend Mary lent it to me and assured me I would love it. Sometimes our taste is compatible and sometimes it isn't. This one isn't!
I was intrigued by the setting of growing up in Africa, so I soldiered on, even though the story was depressing. Sometimes a depressing story hardship can become a story of hope. The hardships in this family saga, however, were becoming worse and worse. When the little sister died, I slapped the book closed and said, ENOUGH. Done. Not enough hope going there or even hope of future hope to continue!
Sunday, May 19, 2013
Friday, May 17, 2013
To Kill a Mockingbird by Harper Lee
When this book was announced for our reading group, I thought, "Wow...it's been a long time. I read that in high school. I believe I thought it was really good. Okay...I'll read it again." Well, I didn't get to it before our group met, but I went to listen in to the discussion anyway. As usual, it was lively and enlightening. And at the end of the evening, I had snagged a copy to borrow and read. It was surprisingly engaging and wonderful. And...true test of a book I love...I began it all over again as soon as I finished it.
Here's what I notice about my reading of fiction. I get so engrossed in the story that I read fast and miss a lot. So, my second time through, I can slow down and enjoy it and catch many of the subtleties that I missed first time through. This book was very rewarding the second time through...many aspects of what was going on around Scout, the main character, caught my attention. It was just a wonderful story of wonderful people. Scout and her brother, Jem, and their friend Dill captured so much of the wonder of childhood that it was good for this adult to feel a little younger.
I have a friend here in Rapid City who named her son Atticus after Scout and Jem's father. I remember wondering at the time if this was really a character I would want to pin that on. Well, after reading the book again, I totally understand her inclination. Here's a father who treats his children with respect and talks to them expecting them to understand difficult issues. Their family relationships are rich and deep.
I also really enjoyed the part where Scout and Jem go to church with their black cook, Calpurnia. Wonderful scenes that are told with pathos. Calpurnia turns out to be a most worthy and interesting character.
I vaguely recall being amazed in high school that blacks were treated like that in the South. This work was published about the same time I was becoming aware of civil rights. Our country has gone through so much since then, yet this struggle and this story feel very current. Because I enjoyed this author so much, I was anxious to read her other books. But she didn't write any others! This is amazing to me...she said that she had written what she wanted to say and didn't want to say it again. She didn't enjoy the publicity or the spotlight that her success brought her, so she wasn't about to do it again. I think there must be a lot of the plucky Scout in her! This is definitely a classic and a joy and would be worthwhile to read and discuss again and again. Both the courage and the innocence of Scout speak to me.
Here's what I notice about my reading of fiction. I get so engrossed in the story that I read fast and miss a lot. So, my second time through, I can slow down and enjoy it and catch many of the subtleties that I missed first time through. This book was very rewarding the second time through...many aspects of what was going on around Scout, the main character, caught my attention. It was just a wonderful story of wonderful people. Scout and her brother, Jem, and their friend Dill captured so much of the wonder of childhood that it was good for this adult to feel a little younger.
I have a friend here in Rapid City who named her son Atticus after Scout and Jem's father. I remember wondering at the time if this was really a character I would want to pin that on. Well, after reading the book again, I totally understand her inclination. Here's a father who treats his children with respect and talks to them expecting them to understand difficult issues. Their family relationships are rich and deep.
I also really enjoyed the part where Scout and Jem go to church with their black cook, Calpurnia. Wonderful scenes that are told with pathos. Calpurnia turns out to be a most worthy and interesting character.
I vaguely recall being amazed in high school that blacks were treated like that in the South. This work was published about the same time I was becoming aware of civil rights. Our country has gone through so much since then, yet this struggle and this story feel very current. Because I enjoyed this author so much, I was anxious to read her other books. But she didn't write any others! This is amazing to me...she said that she had written what she wanted to say and didn't want to say it again. She didn't enjoy the publicity or the spotlight that her success brought her, so she wasn't about to do it again. I think there must be a lot of the plucky Scout in her! This is definitely a classic and a joy and would be worthwhile to read and discuss again and again. Both the courage and the innocence of Scout speak to me.
Sunday, April 7, 2013
Speaking From Among the Bones by Alan Bradley
My favorite little chemist, Flavia, is at it again! She never fails to delight me! Although the setting of this mystery is dark and grave (pun intended) Bradley makes it light and fun. I always love the characters in Bishop's Lacey...and again they are interesting here. Because this is the fifth book in the series, I was afraid that perhaps this was the last in the series. However, the ending leaves no doubt that there are more to come! Hooray!
Sunday, March 10, 2013
The Tontine by Thomas B. Costain
When we were home in Napa at Christmas, I asked my 91-year old father for a recommendation for a new book for me. I was there longer than anticipated, and had finished everything I had brought along with me. My dad and I happen to love some of the same books (Story Like the Wind; A Far-Off Place, for example), so I was hoping he would have a good suggestion for me. He did! And not only did he recommend it, my sister Ann chimed in and said she had enjoyed it too. And, best of all, he had a copy of it I could keep awhile.
From the first page, I was taken in! Costain weaves a delightful history of life in England around the time of Napoleon's defeat. It's an ambitious undertaking as he follows the lives of several families and generations as England becomes industrialized. The main family, the Carboy's, are importers and factory owners. There's love, there's intrigue, there's peerage, and there's all manner of human frailties. Costain's tone is quite witty; he has a sometimes acid eye as he describes the foibles and interactions of the characters. Sometimes I would laugh out loud at his observations.
The story spans three or more generations and is divided into two volumes. I found the first volume much funnier than the first, but the story carried me right along in the second. It took me awhile to track down and order the second volume, so I had a few weeks in between. By the end of the story in the second volume, I couldn't remember some of the people that the story had circled back around to. So I started back at the beginning of the story in Volume 1, and realize that from the very beginning there is LOTS of subtle foreshadowing of things to come. It's very enjoyable to notice these on the second time through.
Costain's characters are fascinating and memorable. They also tend to be pretty much altruistic (Helen Groody) or stubbornly greedy (Sam Carboy). Although the good ones have their weak moments, the greedy ones seldom have any redeeming qualities; at least any that we can see. What they profess early in their lives (Isabelle Carboy, for example, wanting to marry a duke) stays consistent over the course of their lives. The English passion for their knighted and decorated heroes is fun to read about.
One thing I enjoyed was the comforting world that the author creates around the good characters. It feels reassuring to see good being rewarded with peace! Their lives are not always easy and they suffer serious setbacks, but their peace remains. That's a good thing.
The books I read were published in 1955 and the several pen and ink illustrations by Herbert Ryman in each volume are spare and charming. All in all, worthy of keeping and visiting again in a future lazy day!
July 2016
So...just coming out of a very difficult period...this pair of books (Volume 1 and 2) were a delightful retreat from reality as my brain adjusted to a new phase of life. We moved into a townhome and moved Irene in with us; she's 92 and this has dramatically changed our lives. When things were tough, I would gratefully retreat down to our cool walk-out basement and lose myself again in this wonderful story. I was so exhausted every day, that this was book was also a great reward at night before crashing. It took me over a month to read both this time around, and it was well worth it!
From the first page, I was taken in! Costain weaves a delightful history of life in England around the time of Napoleon's defeat. It's an ambitious undertaking as he follows the lives of several families and generations as England becomes industrialized. The main family, the Carboy's, are importers and factory owners. There's love, there's intrigue, there's peerage, and there's all manner of human frailties. Costain's tone is quite witty; he has a sometimes acid eye as he describes the foibles and interactions of the characters. Sometimes I would laugh out loud at his observations.
The story spans three or more generations and is divided into two volumes. I found the first volume much funnier than the first, but the story carried me right along in the second. It took me awhile to track down and order the second volume, so I had a few weeks in between. By the end of the story in the second volume, I couldn't remember some of the people that the story had circled back around to. So I started back at the beginning of the story in Volume 1, and realize that from the very beginning there is LOTS of subtle foreshadowing of things to come. It's very enjoyable to notice these on the second time through.
Costain's characters are fascinating and memorable. They also tend to be pretty much altruistic (Helen Groody) or stubbornly greedy (Sam Carboy). Although the good ones have their weak moments, the greedy ones seldom have any redeeming qualities; at least any that we can see. What they profess early in their lives (Isabelle Carboy, for example, wanting to marry a duke) stays consistent over the course of their lives. The English passion for their knighted and decorated heroes is fun to read about.
One thing I enjoyed was the comforting world that the author creates around the good characters. It feels reassuring to see good being rewarded with peace! Their lives are not always easy and they suffer serious setbacks, but their peace remains. That's a good thing.
The books I read were published in 1955 and the several pen and ink illustrations by Herbert Ryman in each volume are spare and charming. All in all, worthy of keeping and visiting again in a future lazy day!
July 2016
So...just coming out of a very difficult period...this pair of books (Volume 1 and 2) were a delightful retreat from reality as my brain adjusted to a new phase of life. We moved into a townhome and moved Irene in with us; she's 92 and this has dramatically changed our lives. When things were tough, I would gratefully retreat down to our cool walk-out basement and lose myself again in this wonderful story. I was so exhausted every day, that this was book was also a great reward at night before crashing. It took me over a month to read both this time around, and it was well worth it!
April 2022
I just finished it again! What a delightful story with great characters! We are now living in St. George, and it was a nice spring read when I needed something to help me sleep. I love this story and these characters. I might have to branch out and try a few more of this author's. It's amazing the detail he goes into as he describes the events of the three generations this epic novel spans. We see child labor exploited, we see heroes helping to get child-protection laws passed, we see Napoleon's family trying to gain the throne again, and we see the massive wealth built in England by Sam Carboy utterly lost in a depression. So enjoyable! It's a keeper, for sure. And kind of bittersweet, now that Daddy is gone, that I can't revisit the story with him.
I just finished it again! What a delightful story with great characters! We are now living in St. George, and it was a nice spring read when I needed something to help me sleep. I love this story and these characters. I might have to branch out and try a few more of this author's. It's amazing the detail he goes into as he describes the events of the three generations this epic novel spans. We see child labor exploited, we see heroes helping to get child-protection laws passed, we see Napoleon's family trying to gain the throne again, and we see the massive wealth built in England by Sam Carboy utterly lost in a depression. So enjoyable! It's a keeper, for sure. And kind of bittersweet, now that Daddy is gone, that I can't revisit the story with him.
Sunday, March 3, 2013
Without Offense: The Art of Giving and Receiving Criticism by Dr. John L. Lund
I was talking to my friend Christy one day, about a book we both love: Bonds That Make Us Free by C. Terry Warner. I was wondering aloud about why Warner left much of the "how" out of his book and wrote that people had to find their own path. I liked that respect for our abilities, yet would appreciate some specific guidance in the area of working out differences constructively. Christy offered to lend me this book, because she feels it really goes a long way towards the "how."
Initially, I was disappointed as I scanned the first few chapters. Lund makes a strong case through scriptural references that advise that we are generally NOT to give criticism. He goes on to say that there is no such thing as "constructive" criticism, and compares criticism to unrighteous judgment.
Gradually, though, I began to understand and appreciate his point of view. Here's an excerpt from page 36:
Wisdom and common sense require that criticism be used sparingly. We should criticize so seldom that when we do, we will be heard. The frequently critical person is tuned out before the message is delivered. Nor is it justified to criticize in the name of being honest. The so-called open, honest relationship, where both members feel free to express their concerns, often provides a forum for the more critical partner. Maybe the fundamental question that ought to be asked is not, "Is it honest?" but rather, "Is it edifying?" Will it ultimately be uplifting? Will it be good for the individual and the relationship? If a criticism does not qualify under the latter, it should not be spoken at all.
On page 37, he describes the 24-hour challenge. That is, to try to live 24 hours without giving any criticism. I have tried this, and have had to start over multiple times! This little exercise really brought home to me how often and constantly I have critical thoughts and words.
Near the end of the book, Lund describes so-called toxic personalities and how to deal with them. This was perhaps my least favorite part of the book. It was almost like you're excused if you have to deal with a toxic personality...whereas Warner wouldn't go there at all. There may be times and people you leave, but you leave without anger, and with love. This toxic personality is no excuse, in my mind, but Lund still does caution us that even in those situations, our task is to love others. "People deserve to be loved because they are children of God. People should be loved even if their deeds cannot be."
Some of the "rules" of giving criticism make sense:
1. Think before you speak. Is the criticism within your stewardship, and would it be in the best interest of the other person to hear it? If not, don't say it. If it is, then proceed.
2. Ask for and receive permission before criticizing.
3. Be alone with the person at a mutually agreeable time and place.
4. Be in emotional control and logically explain the concern. No yelling, crying, swearing, or physical or emotional intimidation is allowed.
5. Do not attack the self-wroth of any human being. Focus on the issue or behavior. Be as specific as you can in separating self-wroth from the issue or behavior.
6. Affirm his or her worth to you.
I wouldn't say this book was one I appreciated very much. Parts made sense, but in general, I didn't find it too helpful. It seems like too often the "acting out of love" was a strain or sacrifice, whereas Warner's idea is that being who WE need to be gives the other person a different person to react to...and there isn't sacrifice or martyrdom involved at all. We are just doing the right thing for the right reason. That approach makes more sense to me...
Friday, February 22, 2013
Becoming the Teacher that Students Remember by Philip S. Hall
I was delighted when Phil asked Len and me to read this manuscript because I felt like I would learn a lot about Phil. I did! He has spent years working with difficult children and he truly values them and offers unrelenting hope and strategies for changing their future. I want to remember his six relationship skills; he claims that teachers who use all six will empower their learners and provide an emotionally safe environment. There are three for each of these two purposes:
Here are the Empowering Learners skills:
1. Ensuring success
2. Promoting independence
3. Teaching for behavior change
Here are the Emotionally Safe Environment skills:
4. Gentle interventions
5. Logical consequences
6. No punishment
These six form a solid framework for a teacher and for a school. Phil's stories bring each one to life in a very entertaining way.
Please note: THIS HAS NOT YET BEEN PUBLISHED! Hopefully, it will be soon!
Here are the Empowering Learners skills:
1. Ensuring success
2. Promoting independence
3. Teaching for behavior change
Here are the Emotionally Safe Environment skills:
4. Gentle interventions
5. Logical consequences
6. No punishment
These six form a solid framework for a teacher and for a school. Phil's stories bring each one to life in a very entertaining way.
Please note: THIS HAS NOT YET BEEN PUBLISHED! Hopefully, it will be soon!
Sunday, February 10, 2013
The Return of the Prodigal Son by Henri Nouwen
This slender little volume of only 151 pages is a delight. I have heard Henri Nouwen quoted many times in my Courage & Renewal work, but I had never encountered him directly, in a complete piece of work. This was the perfect place to begin, I think, because it helped me get acquainted with his deep love of God and his musings on the meaning of that in his life. Interestingly, it wasn't through a Courage & Renewal person that I was motivated to read this book. It was at a late summer meeting with author Chuck Schwahn over lunch when we were taking a break from "Mass Customized Learning" ideas, planning, and work that I realized I needed to read this book. Chuck described how Nouwen leads his reader through a spiritual understanding as he "came home" to God through studying and living with Rembrandt's painting, the Prodigal Son. I was intrigued by Chuck's enthusiasm about this book, and, as I've read and pondered it, have gained new understanding of Chuck and what's important to him. I hope this will help me as we work together in the future. I feel it will!
It's a beautiful journey that Nouwen leads us on. He describes the painting (an astonishing 8 ft. by 6 ft.), traces its roots through parts of Rembrandt's life, and describes his own understandings of its meaning over time. It's all based on the biblical account of the Prodigal Son. Nouwen sees himself first as the rebellious, then repentant son; next as the resentful, faithful, older son, and finally as the loving, welcoming father. I love how his understanding of man's agency, God's boundless love, Christ's submission and weakness, and the nature of God as both father and mother coincide with my own beliefs and Mormon doctrine. His insights deepen my beliefs and gratitude.
Now the struggle will be to choose only a few of the choice passages and not to quote the entire book! I will share a few, as a sampling, to help me remember that this is a book to be savored again and again. And it's probably like the scriptures themselves in that each time I read them, they will have a different application to my life and understanding!
From the Prologue, pages 4-5: ...I first encountered Rembrandt's Prodigal Son on the door of Simone's office. My heart leapt when I saw it. After my long and self-exposing journey, the tender embrace of father and son expressed everything I desired at that moment. I was, indeed, the son exhausted from long travels; I wanted to be embraced; I was looking for a home where I could feel safe. The son-come-home was all I was and all that I wanted to be. For so long I had been going from place to place: confronting, beseeching, admonishing, and consoling. Now I desired only to rest safely in a place where I could feel a sense of belonging, a place where I could feel at home....It had brought me into touch with something within me that lies far beyond the ups and downs of a busy life, something that represents the ongoing yearning of the human spirit, the yearning for a final return, an unambiguous sense of safety, a lasting home.
Page 9 - Gradually I realized that there were as many paintings of the Prodigal Son as there were changes in the light, and, for a long time, I was held spellbound by this gracious dance of nature and art.
Page 33-- As I look at the prodigal son kneeling before his father and pressing his face against his chest, I cannot but see there the once so self-confident and venerated artist who has come to the painful realization that all the glory he had gathered for himself proved to be vain glory. Instead of the rich garments with which the youthful Rembrandt painted himself in the brothel, he now wears only a torn undertunic covering his emaciated body, and the sandals, in which he had walked so far, have become worn out and useless.
Moving my eyes from the repentant son to the compassionate father, I see that the glittering light reflecting from golden chains, harnesses, helmets, candles, and hidden lamps has died out and been replaced by the inner light of old age. It is the movement from the glory that seduces one into an ever greater search for wealth and popularity to the glory that is hidden in the human soul and surpasses death.
Page 35--The soft yellow-brown of the son's underclothes looks beautiful when seen in rich harmony of the father's cloak, but the truth of the matter is that the son is dressed in rages that betray the great misery that lies behind him. In the context of a compassionate embrace, our brokenness may appear beautiful, but our brokenness has no other beauty but the beauty that comes from the compassion that surrounds it.
And then Nouwen explains the extreme hurt that would have come to the father given the son's desire to take his inheritance early and leave...it was counter-cultural, and taking this early implied that the son wanted the father dead. These insights deepen the love I feel for the father's joy at his return...
Pages 39-40-- Yet over and over again I have left home. I have fled the hands of blessing and run off to faraway places search for love! This is the great tragedy of my life and of the lives of so many I meet on my journey. Somehow I have become deaf to the voice that calls me the Beloved, have left the only place where I can hear that voice, and have gone off desperately hoping that I would find somewhere else what I could no longer find at home.
At first this sounds simply unbelievable. Why should I leave the place where all I need to hear can be heard? The more I think about this question, the more I realize that the true voice of love is a very soft and gentle voice speaking to me in the most hidden places of my being. It is not a boisterous voice, forcing itslef on me and demanding attention. It is the voice of a nearly blind father who has cried much and died many deaths. It is a voice that coan only be heard by those who allow themselves to be touched.
Page 44--...But the father couldn't compel his son to stay home. He couldn't force his love on the Beloved. He had to let him go in freedom, even though he knew the pain it would cause both his son and himself. It was love itself that prevented him from keeping his son home at all cost. It was love itself that allowed him to let his son find his own life, even with the risk of losing it.
Here the mystery of my life is unveiled. I am loved so much that I am left free to leave home. The blessint is there from the beginning. I have left it and keep on leaving it. But the Father is always looking for me with outstretched arms to receive me back and whisper again in my ear, "You are my Beloved, on you my favor rests."
Page 108 -- The parable of the prodical son is a story that speaks about a love that existed before any rejection was possible and that will still be there after all rejections have taken place. It is the first and everlasting love of a God who is Father as well as Mother. It is the fountain of all true human love, even the most limited. Jesus' whole life and preaching had only one aim: to reveal this inexhaustible, unlimited motherly and fatherly love of his God and to show the way to let that love guide every part of our daily lives. In his painting of the father, Rembrandt offers me a glimpse of that love. It is the love that always welcomes home and always wants to celebrate.
Page 117-- For me it is amazing to experience daily the radical difference between cynicism and joy. Cynics seek darkness wherever they go. They point always to approaching dangers, impure motives, and hidden schemes. They call trust naive, care romantic, and forgiveness sentimental. They sneer at enthusiasm, ridicule spiritual fervor, and despise charismatic behavior. They consider themselves realists who see reality for what it truly is and who are not deceived by "escapist emotions." But in belittling God's joy, their darkness only calls forth more darkness.
People who have come to know the joy of God do not deny the darkness, but they choose not to live in it. They claim that the light that shines in the darkness can be trusted more than the darkness itself and that a little bit of light can dispel a lot of darkness. They point each other to flashes of light here and there, and remind each other that they reveal the hidden but real presence of God. They discover that there are pople who heal each other's wounds, forgive each other's offenses, share their possessions, foster the spirit of community, celebrate the gifts they have received, and live in constant anticipation of the full manifestation of God's glory.
Every moment of each day I have the chance to choose between cynicism and joy. Every thought I have can be cynical or joyful...Increasingly I am aware of all these possible choices, and increasintly I discover that every choice for joy in turn reveals more joy and offers more reason to make life a true celebration in the house of the Father.
It's a beautiful journey that Nouwen leads us on. He describes the painting (an astonishing 8 ft. by 6 ft.), traces its roots through parts of Rembrandt's life, and describes his own understandings of its meaning over time. It's all based on the biblical account of the Prodigal Son. Nouwen sees himself first as the rebellious, then repentant son; next as the resentful, faithful, older son, and finally as the loving, welcoming father. I love how his understanding of man's agency, God's boundless love, Christ's submission and weakness, and the nature of God as both father and mother coincide with my own beliefs and Mormon doctrine. His insights deepen my beliefs and gratitude.
Now the struggle will be to choose only a few of the choice passages and not to quote the entire book! I will share a few, as a sampling, to help me remember that this is a book to be savored again and again. And it's probably like the scriptures themselves in that each time I read them, they will have a different application to my life and understanding!
From the Prologue, pages 4-5: ...I first encountered Rembrandt's Prodigal Son on the door of Simone's office. My heart leapt when I saw it. After my long and self-exposing journey, the tender embrace of father and son expressed everything I desired at that moment. I was, indeed, the son exhausted from long travels; I wanted to be embraced; I was looking for a home where I could feel safe. The son-come-home was all I was and all that I wanted to be. For so long I had been going from place to place: confronting, beseeching, admonishing, and consoling. Now I desired only to rest safely in a place where I could feel a sense of belonging, a place where I could feel at home....It had brought me into touch with something within me that lies far beyond the ups and downs of a busy life, something that represents the ongoing yearning of the human spirit, the yearning for a final return, an unambiguous sense of safety, a lasting home.
Page 9 - Gradually I realized that there were as many paintings of the Prodigal Son as there were changes in the light, and, for a long time, I was held spellbound by this gracious dance of nature and art.
Page 33-- As I look at the prodigal son kneeling before his father and pressing his face against his chest, I cannot but see there the once so self-confident and venerated artist who has come to the painful realization that all the glory he had gathered for himself proved to be vain glory. Instead of the rich garments with which the youthful Rembrandt painted himself in the brothel, he now wears only a torn undertunic covering his emaciated body, and the sandals, in which he had walked so far, have become worn out and useless.
Moving my eyes from the repentant son to the compassionate father, I see that the glittering light reflecting from golden chains, harnesses, helmets, candles, and hidden lamps has died out and been replaced by the inner light of old age. It is the movement from the glory that seduces one into an ever greater search for wealth and popularity to the glory that is hidden in the human soul and surpasses death.
Page 35--The soft yellow-brown of the son's underclothes looks beautiful when seen in rich harmony of the father's cloak, but the truth of the matter is that the son is dressed in rages that betray the great misery that lies behind him. In the context of a compassionate embrace, our brokenness may appear beautiful, but our brokenness has no other beauty but the beauty that comes from the compassion that surrounds it.
And then Nouwen explains the extreme hurt that would have come to the father given the son's desire to take his inheritance early and leave...it was counter-cultural, and taking this early implied that the son wanted the father dead. These insights deepen the love I feel for the father's joy at his return...
Pages 39-40-- Yet over and over again I have left home. I have fled the hands of blessing and run off to faraway places search for love! This is the great tragedy of my life and of the lives of so many I meet on my journey. Somehow I have become deaf to the voice that calls me the Beloved, have left the only place where I can hear that voice, and have gone off desperately hoping that I would find somewhere else what I could no longer find at home.
At first this sounds simply unbelievable. Why should I leave the place where all I need to hear can be heard? The more I think about this question, the more I realize that the true voice of love is a very soft and gentle voice speaking to me in the most hidden places of my being. It is not a boisterous voice, forcing itslef on me and demanding attention. It is the voice of a nearly blind father who has cried much and died many deaths. It is a voice that coan only be heard by those who allow themselves to be touched.
Page 44--...But the father couldn't compel his son to stay home. He couldn't force his love on the Beloved. He had to let him go in freedom, even though he knew the pain it would cause both his son and himself. It was love itself that prevented him from keeping his son home at all cost. It was love itself that allowed him to let his son find his own life, even with the risk of losing it.
Here the mystery of my life is unveiled. I am loved so much that I am left free to leave home. The blessint is there from the beginning. I have left it and keep on leaving it. But the Father is always looking for me with outstretched arms to receive me back and whisper again in my ear, "You are my Beloved, on you my favor rests."
Page 108 -- The parable of the prodical son is a story that speaks about a love that existed before any rejection was possible and that will still be there after all rejections have taken place. It is the first and everlasting love of a God who is Father as well as Mother. It is the fountain of all true human love, even the most limited. Jesus' whole life and preaching had only one aim: to reveal this inexhaustible, unlimited motherly and fatherly love of his God and to show the way to let that love guide every part of our daily lives. In his painting of the father, Rembrandt offers me a glimpse of that love. It is the love that always welcomes home and always wants to celebrate.
Page 117-- For me it is amazing to experience daily the radical difference between cynicism and joy. Cynics seek darkness wherever they go. They point always to approaching dangers, impure motives, and hidden schemes. They call trust naive, care romantic, and forgiveness sentimental. They sneer at enthusiasm, ridicule spiritual fervor, and despise charismatic behavior. They consider themselves realists who see reality for what it truly is and who are not deceived by "escapist emotions." But in belittling God's joy, their darkness only calls forth more darkness.
People who have come to know the joy of God do not deny the darkness, but they choose not to live in it. They claim that the light that shines in the darkness can be trusted more than the darkness itself and that a little bit of light can dispel a lot of darkness. They point each other to flashes of light here and there, and remind each other that they reveal the hidden but real presence of God. They discover that there are pople who heal each other's wounds, forgive each other's offenses, share their possessions, foster the spirit of community, celebrate the gifts they have received, and live in constant anticipation of the full manifestation of God's glory.
Every moment of each day I have the chance to choose between cynicism and joy. Every thought I have can be cynical or joyful...Increasingly I am aware of all these possible choices, and increasintly I discover that every choice for joy in turn reveals more joy and offers more reason to make life a true celebration in the house of the Father.
Labels:
art,
forgiveness,
Rembrandt,
spirituality,
unconditional love
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